


These three paintings add color to the monochrome through the shadows between the panel and the white exhibition wall. The panel's front consist of table salts embedded in layers of polymer resin. The backs are painted in fluorescent colors- one orange, one yellow, and one pink. These colors call attention to the space between the panel and the exhibition wall. This physicality of space and theatricality of the work are issues that continue to have relevance since they were prompted by the essay
Art and Objecthood. Important to note, these works must be exhibited on a crisp, clean white wall to be viewed properly. The condition of the white wall is an imperative aspect of the work.